BOOKS IN SANSKRIT ON SANSKRIT GRAMMAR

Sanskrit grammatical custom started in late Vedic India and finished in the Aṣṭādhyāyī of Pāṇini. The most seasoned type of the Proto-Indo-Aryan language as it had advanced in the Indian subcontinent after its presentation with the appearance of the Indo-Aryans is called Vedic. At the end of the early Vedic period, a huge assortment of Vedic songs had been assimilated into the Rigveda, which framed the authoritative premise of the Vedic religion, and was communicated from one age to another completely orally. Throughout the next hundreds of years, as the well-known discourse advanced, there was rising worry among the gatekeepers of the Vedic religion that the songs be passed on without 'defilement', which for them was essential to guarantee the strict viability of the psalms. This prompted the ascent of a vivacious, refined grammatical custom including the investigation of semantic analysis, specifically phonetics. 

Pāṇini's Aṣṭādhyāyī, a conventional grammar with arithmetical principles overseeing every part of the language, in a time when oral compositions and transmission were the standards, is resolutely inserted in that oral tradition. To guarantee wide dispersal, Pāṇini is said to have favored quickness over clarity- it very well may be presented from start to finish in two hours. This has prompted the rise of an incredible number of analyses of his work throughout the long term, which generally stick to the establishments laid by Pāṇini's work.

About a hundred years after Pāṇini, Kātyāyana formed vārtikas (clarifications) on the Pāṇinian sũtras. Patañjali, who lived three centuries after Pāṇini, composed the Mahābhāṣya, the "Incomparable Commentary" on the Aṣṭādhyāyī and Vārtikas. In light of these three old Sanskrit grammarians, this grammatical structure is called Trimuni Vyākarana. Jayaditya and Vāmana composed an analysis named Kāśikā. Kaiyaṭa's (twelfth century AD) analysis of Patañjali's Mahābhāṣya additionally had a lot of impact on the improvement of grammatical syntax, yet more persuasive was the Rupāvatāra of Buddhist researcher Dharmakīrti which promoted adaptations of Sanskrit punctuation. The most persuasive work of the Early Modern time frame was Siddhānta-Kaumudī by Bhaṭṭoji Dīkṣita (seventeenth 100 years). Bhaṭṭoji's devotee Varadarāja composed three variants of the first text, named Madhya-Siddhānta-Kaumudī, Sāra-Siddhānta-Kaumudī, and Laghu-Siddhānta-Kaumudī, of which the last one is the most famous. Vāsudeva Dīkṣita composed an analysis named Bālamanoramā on Siddhānta-Kaumudī.

Q1. What is the primary grammar system of Sanskrit?

The grammatical syntax of the Sanskrit language has a complex verbal framework, rich ostensible declension, and broad utilization of compound nouns. It was considered and classified by Sanskrit grammarians from the later Vedic period (generally the eighth century BCE), coming full circle in the Pāṇinian grammatical norms of the fourth century BCE.

Q2. What are the various cases of Sanskrit Grammar?

There are eight cases: nominative, vocative, accusative, instrumental, dative, ablative, genitive, and locative; three genders: masculine, feminine, and neuter; and three genders: masculine, feminine, and neuter.

Q3. What are the phonological processes in the Sanskrit language?

Various phonological processes have been portrayed exhaustively. One of them is abhinidhāna. It is the deficient enunciation, or "stifling", of a plosive or, as per a few texts, a semi-vowel (aside from r), which happens before another plosive or an interruption. It was depicted in the different Prātiśākhyas as well as the Cārāyaṇīya Śikṣa. These texts are not consistent on the conditions that trigger abhinidhana, nor on the exact classes of consonants impacted.